by Philip Jodidio
Glass. Concrete. Metal. Glass. Concrete. Repeat. Here is the apparent mantra of architect and minimalist extraordinaire Tadao Ando. A likely accompanying mantra might be Light, Air, Water...the seeming antitheses that are immediately signified by the preferred material elements composing Ando's magnificently simplistic structures. Structures that are somehow inexplicably tied to their oppositional natures, somehow creating unity between the strong, manufactured and monumental with the flexible, organic and protean. The result is a fluid marriage of time, space, form, and nature - yielding serene, meditative environments. Core ideas of Japanese tradition are inherent in Ando - Zen's quiet paradox, Shinto's reverence of nature - but they are translated into the contemporary, urban context of modernist works. And here is the staggering volume detailing these works.
In all unlikelihood, Ando, himself, embodies some of this contradiction. He is a self-taught architect who never received formal training. Yet he had seen the world through a number of contexts that informed his creative perspective, including stints as a truck driver and a boxer. Nevertheless, years of deliberate, focused vision and work have built an unparalleled portfolio of exquisite built space across an international stage - yielding broad critical acclaim as well as a Pritzker Prize. Detailing each project with essays, large format photography, and architectural drawings and plans, Ando: Complete Works [OVERSIZE NA 1599.A5 A4 2006] invites you to share this vision and work in all it's simplicity and complexity.


